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  PART EIGHT

Debbie de Coudreaux

The American flower who flirted with the crown of Paris and eclipsed the lights of Les Champs Elysées…

 

 

 

 

 

Debbie: I have a theory: You must have talent. You must have the drive and you have to have the stamina of a truck driver.

 

WACJ: How long it took you before you became famous?
Debbie:  I think the term 'being famous' is relative. I would say I am 'well known' as opposed to famous! I really can't tell you when I became known. Perhaps after I started appearing on television.
WACJ: What did you do before you reached the top? Did you go through what many other struggling artists experience and suffer from, such as odds jobs, double or triple shifts, trying everything…knocking on impresarios and agents doors and such? Or you were wealthy and you did not need to work?
Debbie: Oh I wish! (about the 'being wealthy' part!). Actually, I was very lucky. As I said before, I was in the right place at the right time. My career just took off. I didn't go through the typical 'starve for your art' cycle that a lot of very talented people go through. Instead, I worked steadily from the day I got my first job as a dancer. However, I did pay my dues by working very hard. It isn't easy being the star of a show.

I couldn't call in sick whenever I felt like it. I had to give my best performance no matter what because people paid a lot of money to see the show. It was my job to ensure that they were entertained. I didn't have days off in the beginning, instead I worked 7 days a week, doing 2 shows a night. In fact, in Las Vegas, we did three show a night on Saturdays! This is very hard work.
WACJ: When and what was your first big break?
Debbie:  My first big break was when the legendary producer, Donn Arden, made me a singing principal in his show "Hello Hollywood Hello".

 

I had been a dancer and everyone told me that I would never be hired as a singer by him. Good thing I never listen to people when they tell me I can't do something.

 

Photo caption by Debbie: I performed at the Savoy Centenary Ball in London. It was a fund raiser sponsered by Princess Diana

 

WACJ: Frank Sinatra once said "Of course, it was luck at the beginning but hey, once you are in, you got to have talent." Is it always like this in show business or the way around?
Debbie:  At some point, a person is going to have to show what they can do. You might get in the door by luck, or who you know or just by accident. But after that, you have to be able produce. If you don't have talent, you don't last.

WACJ: How do you explain and define your success?
Debbie: I have a theory: You must have talent. You must have the drive and you have to have the stamina of a truck driver. No one really talks about how much hard work it is to be an entertainer! It may seem glamorous (and sometimes it can be), but it really is hard work. I love what I do, therefore it makes it that much easier to continue on with my career. But, I have had to make sacrifices in order to sustain that career.
WACJ: What did you do to get noticed?
Debbie:  I was always prepared, I did what I was directed to do and I made sure that I always performed full out (in other words, I didn't mark)

 

WACJ: While you are performing, writing or composing, do you look at the faces of people who surround you?
Debbie: In a cabaret venue, I always connect with the audience. I look at their faces and if it is appropriate, I go out into the audience to interact with them.

 

Photo, right: "Julie" in Hal Prince's Show Boat on Broadway

 

WACJ: Which face attracts you most? Faces that catch you attention? What do you see in people?
Debbie: I like smiling faces. I like people who are enjoying themselves.
WACJ: What are your best qualities as an artist?
Debbie: I give 100% when I am performing be it acting, singing or just speaking.
WACJ: And as a woman?
Debbie: I think my sense of humor is my best asset as a woman!
WACJ: What did you do first, short after you got your first break?
Debbie: I called my mother to tell her the wonderful news, because without her, I wouldn't have had the courage to seek my career in the first place.
WACJ: Any advice to all those aspiring artists who need a break?
Debbie: Luck is just being prepared for when the window of opportunity opens for you!
WACJ: What they should do when they are rejected?
Debbie: Do not obsess with rejection. Even the big stars are rejected for projects they really want to do. Rejection is part of life, you just cannot take it personal.


 

 

Debbie in Italy

WACJ: In your opinion, what are the 3 most important qualities in an actor/actress?
Debbie: Charisma, fearlessness and a willingness to go the distance
WACJ: Do you have those qualities?
Debbie: Absolutely
WACJ: If you were not a singer, a diva today, what would you be doing? What occupation or career or job you think you might have considered?
Debbie:  I would be in some form of communications! Either corporate communications or the media.





DEBBIE de COUDREAUX ON  SONGS, MUSIC, PEOPLE AND LIFE:

WACJ: Any regret(s) in life?
Debbie:  I sometimes wonder what it would have been like to get married, have children and just have been a mom. But regrets...I have none.
WACJ: Many talented but unfortunate artists fear a lot of things in life, particularly rejection, career failure, financial difficulties, etc. What the very successful, brilliant and secure artist and diva Debbie de Coudreaux fears most ?
Debbie: Not having enough time to do all the things I still want to do!
WACJ: How do you spend you time in San Francisco? Shopping? Cinema? Reading?
Debbie: When I am in San Francisco, I spend most of my time with my family and friends since I don't get to see them very often. Mostly, we go out to dinner and talk and laugh!

 

Photo: Modelling at Christian Dior, Paris Debbie’s caption: “House of Dior publicity photo. I
absolutely loved their fashions!

 

WACJ: What do you do for fun?
Debbie:  I like to go out and see other performers!
:WACJ: Have you ever had any unpleasant experience on stage, with producers, singers, peers?
Debbie: Overall, I can't really recall any serious problems with fellow performers, directors, choreographers, conductors, etc. I think of myself as part of 'the team' and try to work within the group to reach the final goal: making the show as best as possible. I have experienced patrons in the audience who were less than polite [due to excessive alcohol intake] but you learn to ignore incidents like that. I can honestly that it only happened rarely.
WACJ: Do you get mad sometimes?
Debbie: Oh yes, I have been known to lose my temper.
WACJ: What makes you mad?
Debbie: People who are lazy and don't give 100% on stage. People who are unprofessional basically.
WACJ: And do you make people mad at you?
Debbie: I am not perfect but I do try to keep things pleasant and upbeat. It is so much easier to work if everyone gets along.


WACJ: What do you like and dislike about American men?
Debbie: It would be difficult for me to make a blanket judgment about American men in general. I can offer some observations from those men I have come in contact with. I think there is a lot of pressure put on American men which makes them a bit uptight and stressed. I have noticed a vast difference in how American men act around women as far as general politesse is concerned. Having a door opened, a chair pulled out or even a man stand when you enter a room doesn't exactly happen very often. It really depends on where I am and whom I'm with. To be honest, I think manners have gone the way of the dinosaur in the US. "Please" and "excuse me" are not used as often as they should. However, there is a type of energy that is unique to American men that can be quite attractive. Women have made advances as far as how we are treated by men. Men are more sensitive

 

 WACJ: And European men?
Debbie: European men are extremely charming and gracious. They have the knack of making a woman feel feminine and alluring without being overt about it. Subtle is a word that comes to mind. I do believe I was spoiled in Europe in that regard. However, women are still treated...differently. I wouldn't say European men are chauvinistic but rather still have traditional views towards the roles women play in society.
WACJ: What time do you go to bed, usually?
Debbie: If I am performing in my show or any show for that matter, I usually stay up late...1:00 AM or so. If I am not performing, I usually am in bed by 10:00 PM!

WACJ: And you wake up at?
Debbie: Same thing, if I am performing, then I wake up later around 10:00 AM. But, if I am not performing, I try to get up at 8:00 AM.
WACJ: Do you follow fashion?
Debbie: I don't follow trends because I am too tall and not a jejune fille. However, I do keep an eye on fashions to see how they are developing.  I try to dress in a style that is flattering for my life style and figure. I have a womanly form, not too thin but not to big. I like classic lines, not frilly or frou frou. I stick to basic colors: black, white, red and use accessories to add any depth or additional color.

 WACJ: Your best couturiers and designers?
Debbie: Jean Louie Scherrer, Chanel, Yves St. Laurent, Chloe.
WACJ: Favorite fragrance?
Debbie: Panthere de Cartier.
WACJ: Favorite Cuisine?
Debbie: Bien sur, French!!!
WACJ: Favorite Cities in the US and the world?
Debbie: San Francisco because it is the most European of all the US cities, Paris, London, Rome, Madrid
WACJ: Favorite colors?

Debbie: True Red: because it is a power color, very alive and vibrant.

And that was Debbie de Coudreaux…the American sweet, tender, passionate and fatal diva…

 

Written by Maximillien de La Croix de Lafayette, Paris, October 10, 2003

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Order Debbie’s CD and add a treasure to your Music Collection. You will treasure it and enjoy it for many years to come! It was selected and rated by WACJ as "THE BEST FRENCH-AMERICAN MUSIC" CD of the Year!

If you are a real music lover, a person who appreciates world class music in all its elegant simplicity and enchanting complexity. If you love the authentic French music blended with the wealth of Broadway, Hollywood and the golden music era of America, then you MUST add Debbie’s CD to your collection. Your music collection will never be complete without Debbie’s “Have A Little Paris On ME”.

 

 

Many American female singers recorded Parisian songs and released Cabaret CDs but none of them except Anna Bergman and Raquel Bitton is as authentic as Debbie de Coudreaux. So what are you waiting for? Add a little Paris to your life. Add a treasure to your music box. Order a copy of Debbie's Debut CD Release: "Have A Little Paris On Me" from her web site.

Visit: www.debbiedecoudreaux.com/main.htm to order. Also available at: CDBaby.com/cd/decoudreaux WACJ Rating: (The Best of the Best!)

 

 

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